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17 U.S.C. § 115

Scope of exclusive rights in nondramatic musical works: Compulsory license for making and distributing phonorecords

United States · Title 17 — COPYRIGHTS · Status: effective

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17 U.S.C. § 115, Scope of exclusive rights in nondramatic musical works: Compulsory license for making and distributing phonorecords, United States, version 1 as recorded 2026-07-09, yourstate.us, https://yourstate.us/provision/448474
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In the case of nondramatic musical works, the exclusive rights provided by clauses (1) and (3) of section 106, to make and to distribute phonorecords of such works, are subject to compulsory licensing under the conditions specified by this section. A person may by complying with the provisions of this section obtain a compulsory license to make and distribute phonorecords of a nondramatic musical work, including by means of digital phonorecord delivery. A person may obtain a compulsory license only if the primary purpose in making phonorecords of the musical work is to distribute them to the public for private use, including by means of digital phonorecord delivery, and— in the case of a digital music provider seeking to make and distribute digital phonorecord deliveries of a sound recording embodying a musical work under a compulsory license for which clause (i) does not apply— A person may not obtain a compulsory license for the use of the work in the making of phonorecords duplicating a sound recording fixed by another, including by means of digital phonorecord delivery, unless— A person who seeks to obtain a compulsory license under subsection (a) to make and distribute phonorecords of a musical work by means of digital phonorecord delivery— In the case of phonorecords made and distributed by means of digital phonorecord delivery: The schedule of reasonable rates and terms determined by the Copyright Royalty Judges shall, subject to paragraph (2)(A), be binding on all copyright owners of nondramatic musical works and persons entitled to obtain a compulsory license under subsection (a) during the period specified in subparagraph (E), such other period as may be determined pursuant to subparagraphs (D) and (E), or such other period as the parties may agree. The Copyright Royalty Judges shall establish rates and terms that most clearly represent the rates and terms that would have been negotiated in the marketplace between a willing buyer and a willing seller. In determining such rates and terms for digital phonorecord deliveries, the Copyright Royalty Judges shall base their decision on economic, competitive, and programming information presented by the parties, including— The second sentence of clause (i) shall not apply to— A digital phonorecord delivery of a sound recording is actionable as an act of infringement under section 501, and is fully subject to the remedies provided by sections 502 through 506, unless— Nothing in this section annuls or limits— A blanket license— A voluntary license for covered activities entered into by or under the authority of 1 or more copyright owners and 1 or more digital music providers, or authority to make and distribute permanent downloads of a musical work obtained by a digital music provider from a sound recording copyright owner pursuant to an individual download license, shall be given effect in lieu of a blanket license under this subsection with respect to the musical works (or shares thereof) covered by such voluntary license or individual download authority and the following conditions apply: A digital music provider may obtain a blanket license by submitting a notice of license to the mechanical licensing collective that specifies the particular covered activities in which the digital music provider seeks to engage, as follows: A notice of license may only be rejected by the mechanical licensing collective if— The mechanical licensing collective shall be a single entity that— Not later than 270 days after the enactment date, the Register of Copyrights shall initially designate the mechanical licensing collective as follows: After reviewing the information requested under subclause (I) and making a designation, the Register shall publish notice in the Federal Register setting forth— Following the initial designation of the mechanical licensing collective, the Register shall, every 5 years, beginning with the fifth full calendar year to commence after the initial designation, publish notice in the Federal Register in the month of January soliciting information concerning whether the existing designation should be continued, or a different entity meeting the criteria described in clauses (i) through (iii) of subparagraph (A) shall be designated. Following publication of such notice, the Register shall— The mechanical licensing collective is authorized to perform the following functions, subject to more particular requirements as described in this subsection: With respect to the administration of licenses, except as provided in clauses (i) and (iii) and subparagraph (E)(v), the mechanical licensing collective may only— The mechanical licensing collective shall have a board of directors consisting of 14 voting members and 3 nonvoting members, as follows: Ten voting members shall be representatives of music publishers— Not later than 1 year after the date on which the mechanical licensing collective is initially designated by the Register of Copyrights under subparagraph (B)(i), the collective shall establish bylaws to determine issues relating to the governance of the collective, including, but not limited to— The board of directors of the mechanical licensing collective shall establish an operations advisory committee consisting of not fewer than 6 members to make recommendations to the board of directors concerning the operations of the mechanical licensing collective, including the efficient investment in and deployment of information technology and data resources. Such committee shall have an equal number of members of the committee who are— The board of directors of the mechanical licensing collective shall establish and appoint a dispute resolution committee that shall— Not later than June 30 of each year commencing after the license availability date, the mechanical licensing collective shall post, and make available online for a period of not less than 3 years, an annual report that sets forth information regarding— The mechanical licensing collective shall— Beginning in the fourth full calendar year that begins after the initial designation of the mechanical licensing collective by the Register of Copyrights under subparagraph (B)(i), and in every fifth calendar year thereafter, the collective shall retain a qualified auditor that shall— Each report prepared under item (aa) shall address the implementation and efficacy of procedures of the mechanical licensing collective— With respect to each report prepared under item (aa), the mechanical licensing collective shall— With respect to musical works (and shares thereof) that have been matched to copyright owners, the musical works database shall include— to the extent reasonably available to the mechanical licensing collective— With respect to unmatched musical works (and shares of works) in the database, the musical works database shall include— to the extent reasonably available to the mechanical licensing collective— The musical works database shall be made available to members of the public in a searchable, online format, free of charge. The mechanical licensing collective shall make such database available in a bulk, machine-readable format, through a widely available software application, to the following entities: Upon receiving reports of usage and payments of royalties from digital music providers for covered activities, the mechanical licensing collective shall— engage in efforts to— deposit into an interest-bearing account, as provided in subparagraph (H)(ii), royalties that cannot be distributed due to— Accrued royalties for unmatched works (and shares thereof) shall be maintained by the mechanical licensing collective in an interest-bearing account that earns monthly interest— When a copyright owner of an unmatched work (or share of a work) has been identified and located in accordance with the procedures of the mechanical licensing collective, the collective shall— After the expiration of the prescribed holding period for accrued royalties provided in subparagraph (H)(i), the mechanical licensing collective shall distribute such accrued royalties, along with a proportionate share of accrued interest, to copyright owners identified in the records of the collective, subject to the following requirements, and in accordance with the policies and procedures established under clause (ii): Copyright owners’ payment shares for unclaimed accrued royalties for particular reporting periods shall be determined in a transparent and equitable manner based on data indicating the relative market shares of such copyright owners as reflected in reports of usage provided by digital music providers for covered activities for the periods in question, including, in addition to usage data provided to the mechanical licensing collective, usage data provided to copyright owners under voluntary licenses and individual download licenses for covered activities, to the extent such information is available to the mechanical licensing collective. In furtherance of the determination of equitable market shares under this subparagraph— The mechanical licensing collective shall— engage in diligent, good-faith efforts to publicize, throughout the music industry— Copyright owners that receive a distribution of unclaimed accrued royalties and accrued interest shall pay or credit a portion to songwriters (or the authorized agents of songwriters) on whose behalf the copyright owners license or administer musical works for covered activities, in accordance with applicable contractual terms, but notwithstanding any agreement to the contrary— The dispute resolution committee established under subparagraph (D)(vi) shall establish policies and procedures— A copyright owner entitled to receive payments of royalties for covered activities from the mechanical licensing collective may, individually or with other copyright owners, conduct an audit of the mechanical licensing collective to verify the accuracy of royalty payments by the mechanical licensing collective to such copyright owner, as follows: A blanket license is subject to, and conditioned upon, the following requirements: In reporting usage of musical works to the mechanical licensing collective, a digital music provider shall provide usage data for musical works used under the blanket license and usage data for musical works used in covered activities under voluntary licenses and individual download licenses. In the report of usage, the digital music provider shall— with respect to each sound recording embodying a musical work— The Register of Copyrights shall adopt regulations— A digital music provider shall engage in good-faith, commercially reasonable efforts to obtain from sound recording copyright owners and other licensors of sound recordings made available through the service of such digital music provider information concerning— The mechanical licensing collective may conduct an audit of a digital music provider operating under the blanket license to verify the accuracy of royalty payments by the digital music provider to the mechanical licensing collective as follows: A digital music provider shall be in default under a blanket license if the digital music provider— In case of a default by a digital music provider, the mechanical licensing collective may proceed to terminate the blanket license of the digital music provider as follows: The digital licensee coordinator shall be a single entity that— The digital licensee coordinator is authorized to perform the following functions, subject to more particular requirements as described in this subsection: The digital licensee coordinator shall make reasonable, good-faith efforts to assist the mechanical licensing collective in the efforts of the collective to locate and identify copyright owners of unmatched musical works (and shares of such works) by encouraging digital music providers to publicize the existence of the collective and the ability of copyright owners to claim unclaimed accrued royalties, including by— The collective total costs shall be funded by— an administrative assessment, as such assessment is established by the Copyright Royalty Judges pursuant to subparagraph (D) from time to time, to be paid by— Except as provided in clause (ii), voluntary contributions by digital music providers and significant nonblanket licensees shall be determined by private negotiation and agreement, and the following conditions apply: The amount and terms of the administrative assessment shall be determined and established in a separate and independent proceeding before the Copyright Royalty Judges, according to the procedures described in clauses (iii) and (iv). The administrative assessment determined in such proceeding shall— take into consideration anticipated future collective total costs and collections of the administrative assessment, including, as applicable— The procedure for establishing the initial administrative assessment shall be as follows: The administrative assessment may be adjusted by the Copyright Royalty Judges periodically, in accordance with the following procedures: In any proceeding described in subparagraph (A) in which the Copyright Royalty Judges establish a late fee for late payment of royalties for uses of musical works under this section, such fee shall apply to covered activities under blanket licenses, as follows: For any covered activity for which no rate or terms have been established by the Copyright Royalty Judges, the mechanical licensing collective and any digital music provider may agree to an interim rate and terms for such activity under the blanket license, and any such rate and terms— The rate and terms established by the Copyright Royalty Judges for a covered activity to which an interim rate and terms have been agreed under subparagraph (C) shall supersede the interim rate and terms and apply retroactively to the inception of the activity under the blanket license. In such case, not later than 90 days after the effective date of the rate and terms established by the Copyright Royalty Judges— On and after the enactment date— The following requirements shall apply on the enactment date and through the end of the period that expires 90 days after the license availability date to digital music providers seeking to avail themselves of the limitation on liability described in subparagraph (A): Not later than 30 calendar days after first making a particular sound recording of a musical work available through its service via one or more covered activities, or 30 calendar days after the enactment date, whichever occurs later, a digital music provider shall engage in good-faith, commercially reasonable efforts to identify and locate each copyright owner of such musical work (or share thereof). Such required matching efforts shall include the following: Good-faith, commercially reasonable efforts to obtain from the owner of the corresponding sound recording made available through the digital music provider’s service the following information: If the copyright owner is not identified or located by the end of the calendar month in which the digital music provider first makes use of the work, the digital music provider shall accrue and hold royalties calculated under the applicable statutory rate in accordance with usage of the work, from initial use of the work until the accrued royalties can be paid to the copyright owner or are required to be transferred to the mechanical licensing collective, as follows: If a copyright owner of an unmatched musical work (or share thereof) is identified and located by or to the digital music provider before the license availability date, the digital music provider shall— If a copyright owner of an unmatched musical work (or share thereof) is not identified and located by the license availability date, the digital music provider shall— Notwithstanding anything to the contrary in section 507(b), with respect to any claim of infringement of the exclusive rights provided by paragraphs (1) and (3) of section 106 against a digital music provider arising from the unauthorized reproduction or distribution of a musical work by such digital music provider in the course of engaging in covered activities that accrued not more than 3 years prior to the license availability date, such action may be commenced not later than the later of— Notwithstanding any provision of the antitrust laws, copyright owners and persons entitled to obtain a compulsory license under this section may designate the mechanical licensing collective to administer voluntary licenses for the reproduction or distribution of musical works in covered activities on behalf of such copyright owners and persons, subject to the following conditions: As used in this section: The term “collective total costs”— means the total costs of establishing, maintaining, and operating the mechanical licensing collective to fulfill its statutory functions, including— The term “digital music provider” means a person (or persons operating under the authority of that person) that, with respect to a service engaged in covered activities— The term “significant nonblanket licensee”— means an entity, including a group of entities under common ownership or control that, acting under the authority of one or more voluntary licenses or individual download licenses, offers a service engaged in covered activities, and such entity or group of entities— either— does not include—

Legislative history

The public laws that enacted or amended this section. Tallies are for the whole bill as it passed each chamber — often an omnibus covering far more than this provision — not a vote on this section alone.

  • Enacted byPub. L. 94-553(S. 22)1976-10-19
    An Act for the general revision of the Copyright Law, title 17 of the United States Code, and for other purposes.
    House: no recorded tallySenate: no recorded tally
  • Amended byPub. L. 98-450(S. 32)1984-10-04
    Record Rental Amendment of 1983
    House: no recorded tallySenate: no recorded tally
  • Amended byPub. L. 104-39(S. 227)1995-11-01
    Digital Performance Right in Sound Recordings Act of 1995
    House: no recorded tallySenate: no recorded tally
  • Amended byPub. L. 105-80(H.R. 672)1997-11-13
    To make technical amendments to certain provisions of title 17, United States Code.
    House: 424–2Senate: no recorded tally
  • Amended byPub. L. 108-419(H.R. 1417)2004-11-30
    Copyright Royalty and Distribution Reform Act of 2004
    House: 406–0Senate: no recorded tally
  • Amended byPub. L. 109-303(H.R. 1036)2006-10-06
    Copyright Royalty Judges Program Technical Corrections Act
    House: no recorded tallySenate: no recorded tally
  • Amended byPub. L. 110-403(S. 3325)2008-10-13
    Prioritizing Resources and Organization for Intellectual Property Act of 2008
    House: 381–41Senate: no recorded tally
  • Amended byPub. L. 111-295(S. 3689)2010-12-09
    Copyright Cleanup, Clarification, and Corrections Act of 2010
    House: 385–0Senate: no recorded tally
  • Amended byPub. L. 115-264(H.R. 1551)2018-10-11
    Orrin G. Hatch-Bob Goodlatte Music Modernization Act
    House: no recorded tallySenate: no recorded tally